Delikta, Dylan (2020) Hegel's aesthetics and contemporary art: home, vagabondage and (w)hole. Masters thesis, Memorial University of Newfoundland.
[English]
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Abstract
What is the condition that situates the ongoing transformations of contemporary art? What insights about the meaning of selfhood and our worlds might we find by exploring it? Through a close reading of Hegel’s Aesthetics, in which Hegel offers a phenomenological study of art’s development, my thesis posits an interpretation of contemporary art’s situation as the play between the human experiences of at-homeness and vagabondage in the world, which I name being-in-the-(w)hole. My reading of Hegel suggests that he points toward this experience of the (w)hole—art’s infinite determinability in expression and meaning—and how contemporary art can express this play as a site for the co-experiencing and co-defining of the meaning of self and world. By thematizing this play, I argue that the condition that situates contemporary art is that of dynamic equality, an equality in which all are recognized as able to interpret a shared object together.
Item Type: | Thesis (Masters) |
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URI: | http://research.library.mun.ca/id/eprint/14486 |
Item ID: | 14486 |
Additional Information: | Includes bibliographical references (pages 99-100). |
Keywords: | Hegel, Aesthetics, Contemporary Art, Phenomenology, Philosophy, (W)hole, Vagabondage |
Department(s): | Humanities and Social Sciences, Faculty of > Philosophy |
Date: | October 2020 |
Date Type: | Submission |
Digital Object Identifier (DOI): | https://doi.org/10.48336/d5k3-s942 |
Library of Congress Subject Heading: | Hegel, Georg Wilhelm Friedrich, 1770-1831.--Aesthetics; Art, Modern--21st century; Phenomenology and art. |
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