Zygmunt, Ellie (2018) Collective memory in George Sprott: 1894-1975 and building Stories. Masters thesis, Memorial University of Newfoundland.
[English]
PDF
- Accepted Version
Available under License - The author retains copyright ownership and moral rights in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author's permission. Download (2MB) |
Abstract
This thesis examines collective memory in the graphic novels George Sprott: 1894-1975 by Seth and Building Stories by Chris Ware. Seth and Ware illustrate how individual memory is inextricable from collective experiences of history, space, and community by using unconventional publishing formats paired with the visual language of graphic narrative. I argue Seth and Ware also extend the border of collective memory to include the non-fictive space of the reader through multi-media adaptations and collaboration. Seth’s cardboard Dominion models, the chamber oratorio Omnis Temporalis, and Ware’s iPad comic Touch Sensitive create a larger community of memory that extends beyond the page.
Item Type: | Thesis (Masters) |
---|---|
URI: | http://research.library.mun.ca/id/eprint/13444 |
Item ID: | 13444 |
Additional Information: | Includes bibliographical references (pages 96-100). |
Keywords: | Seth, Chris Ware, George Sprott, Building Stories, Collective Memory, Comics |
Department(s): | Humanities and Social Sciences, Faculty of > English Language and Literature |
Date: | August 2018 |
Date Type: | Submission |
Library of Congress Subject Heading: | Seth, 1962--George Sprott; Ware, Chris, 1967--Building stories; Collective memory. |
Actions (login required)
View Item |